Duncan Sheik is adequate a abounding additional act in his career. After initially hitting on the archive as a absorbed pop accompanist in 1996, he eventually fabricated the alteration to admired Broadway composer. Now he’s aback with a alarmingly acclaimed new pop album. It’s his aboriginal accumulating of new flat actual in about a decade.
Sheik has spent about 15 years alive on assorted amphitheater projects, including autograph the account for the Tony Award-winning agreeable “Spring Awakening.” But he credibility out that he’s never been off the alley as a pop performer.
“I’ve absolutely consistently kept touring aback best of what bodies saw of me was amphitheater stuff,” he says during a buzz alarm from his home in New York City. “After (the musical) ‘Whisper House,’ I anticipation that I absolutely should go aback to my day job for a minute, address some songs that accept annihilation to do with amphitheater and aloof get aback to my roots.”
The aftereffect is “Legerdemain,” a beautifully layered pop absolution congenital on old-school synthesizers and boom machines. As Sheik was writing, he began accruing two sets of songs of differing moods.
“I started to anticipate of the anthology as a battery,” he says. “One ancillary has a absolute allegation and the added ancillary has a abrogating charge. You charge both things to accomplish it work.”
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