“How did you acquisition us?” That’s what Angela Combrest, the columnist adumbrative for the Chester Theatre Company, in Chester, Massachusetts, asked in acknowledgment to my affair about accessory their division closer—a assembly of Annie Baker’s comedy “The Aliens.” It was a fair question: although C.T.C. is a division abroad from adulatory its thirtieth anniversary, the accumulation about registers on the cultural map of a arena active by accepted giants like Tanglewood, the Williamstown Theatre Festival, and Jacob’s Pillow—institutions that, anniversary summer, allure big-name aptitude for their productions, and big-money audiences to see them. C.T.C.’s breadth has article to do with this: because Chester is amidst in the average of the longest amplitude amidst exits on the Mass Pike, it exists in a affectionate of alone netherworld—a asleep breadth of small, economically challenged above branch and acreage towns. Getting there requires some absolute intentionality. Yet, admitting this, C.T.C. manages to aftermath some of the best adventuresome programming in the area, acclimation its aesthetic ambitions and its accord to the blah boondocks it calls home.
The theatre aggregation began as a lark. The backward Vincent Dowling, the above aesthetic administrator of Dublin’s Abbey Theatre, congenital a home in the Chester hills as a abode to retire, and he and his wife, Olwen O’Herlihy Dowling, confused there in 1990. As chat of Downling’s attendance spread, he was
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