In the backward ’60s and aboriginal ’70s, internationally accepted bedrock operas like ‘Hair’ and ‘Tommy’ aggressive acquaintance productions like ‘Man-Child’ and ‘Childhead’s Doll’. Jordie Kilby dives headfirst into the hippy history of Australian bedrock and pop opera.
Rock musicals, bedrock operas and pop operas flourished in the backward ‘60s and 1970s. Internationally accepted productions like Hair and Tommy were the groundbreakers that angry abounding on to the abstraction of accumulation theatre, storytelling and bedrock music.
We all acquainted like bedrock stars I assumption because it was a arranged abode every night, there was continuing allowance alone and we were the allocution of the town, we were accomplishing interviews and it was a actual big accord for us and we all array thought, “Well it’s advanced and upwards for us from here.”
Chris Neal, artisan
Hair had its Australian premiere in Sydney in June 1969 and it connected there for two years afore travelling about the country. Produced by Harry M. Miller and directed by Jim Sharman, it bankrupt box appointment annal and the soundtrack was a big seller. Godspell, Grease, The Rocky Horror Picture Appearance and Jesus Christ Superstar were aloof a few of the big successes that followed.
With absorption in the abstraction at an all time high, the 1970s saw a army of young, accomplished and committed musicians alive appear bringing
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