The army on the bank ball attic spanned the generations.
A army of retirees rocked beside a array of high-schoolers. A man in his 70s twirled a partner. A middle-age mom did a moonwalk.
And onstage at the Ashland Cafe in Cockeysville, a 21-year-old Baltimore County accompanist with a annular face and aflush cheeks reeled off a glissando on the piano, finishing his Jerry Lee Lewis-style “smear” with a aerial C and a articulate flourish.
“We was reelin’ and a-rockin’ and a-rollin’ till the breach of day!” Josh Christina wailed.
It was a Friday night in aboriginal summer, and Christina, a Dulaney Aerial Academy alum and arising Nashville recording artist, was headlining a concert to bless the absolution of his third abandoned CD.
Backed by his band, Acceptable Old Stuff, the pianist-singer spent four hours agitation the collective with the affectionate of music that hasn’t bedeviled the pop archive aback Dwight D. Eisenhower was president.
Ask Christina whether he can accomplish a career in aboriginal American bedrock ‘n’ cycle — that upbeat alloy of rock, country, actuality and dejection that Little Richard, Lewis, Elvis Presley, Chuck Berry and others pioneered in the 1950s — and he’ll acquaint you he has no agnosticism he can abundance the old to coin article new.
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