Julie Aucoin/Cirque du Soleil
Saturday, Feb. 20, 2010 | 12:25 p.m.
“Viva Elvis,” which clearly opened at CityCenter’s Aria Friday night afterwards weeks of paid previews and adjustments, joins six added Strip-resident shows, and it’s acceptable to be advantageous cardinal seven for Cirque du Soleil.
The actualization is a appealing mess. Gimmicky, ablaze and loud, in Technicolor and Cinemascope, it’s a theme-park “Grease” reunion, a arrangement of live-in-person Gap commercials with the account of an Olympics aperture ceremony.
And it delivers absolutely what abounding — most, apparently — appetite from a Vegas show. Which would be active angel afterwards eye-sizzling sensation. Cirque is at its aiguille technically actuality — cipher (except maybe China) can top the Canadian comedy factory’s admiral aback it comes to creating belly images. But the blemish of this show, the absent opportunity, is that article so admirable is so insubstantial.
“Viva Elvis” cherry-picks key scenes from the American bedrock ‘n’ cycle icon’s activity and career — his Southern Baptist
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