Steve Jobs’ absorption in architecture began with his adulation for his adolescence home. It was in one of the abounding banal subdivisions amid San Francisco and San Jose that were developed by builders who aerated out bargain modernist amplitude houses in the 1950s for the postwar burghal migration. Aggressive by Frank Lloyd Wright’s eyes of simple avant-garde homes for the American “everyman,” developers such as Joseph Eichler and his imitators congenital houses that featured floor-to-ceiling bottle walls, accessible attic plans, apparent post-and-beam construction, accurate slab floors and lots of sliding bottle doors.
“Eichler did a abundant thing,” Jobs told me on one of our walks about his old neighborhood, which featured homes in the Eichler style. “His houses were acute and bargain and good. They brought apple-pie architecture and simple aftertaste to lower-income people.” His acknowledgment for Eichler-style homes, Jobs said, absolute his affection for authoritative acutely advised articles for the accumulation market. “I adulation it aback you can accompany actually abundant architecture and simple adequacy to article that doesn’t bulk much,” he said as he acicular out the apple-pie breeding of the Eichlers. “It was the aboriginal eyes for Apple. That’s what we accustomed to do with the aboriginal Mac. That’s what we did with the iPod.”
Distinctive design—clean and affable and fun—would become the authentication of Apple articles
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