One day aback in August, I was active home from a adjacent accompaniment park, flipping through my accepted arrangement of radio stations—country, archetypal country, fuzzy-too-far-away-from-the-signal country, hip-hop, NPR—when I caught, at the aperture chords, a song that about fabricated me blast my car. A adolescent woman is in a night club, acutely inebriated (“hair a absolute blend / falling out of that dress”), and our narrator has some admonition for the men in the crowd: “Take a bashed babe home.” Public-radio producers like to allocution about “driveway moments”—stories arresting abundant to accumulate you alert in your car alike afterwards you’ve accustomed home—but it’s not about that a country song is so jaw-dropping that it makes me cull over to the ancillary of the road.
The song is “Drunk Girl,” by Chris Janson, which came out in December but abandoned began aggressive the archive aftermost month, afterwards it accustomed a choice for Song of the Year by the Country Music Association. The accolade commemoration isn’t until November, but if the board are absorbed to favor adequacy over artistry, “Drunk Girl” will absolutely win. That is not an endorsement, although the song is somewhat bigger than what you’re allegedly thinking, while additionally actuality array of terrible, actual telling, and actual strange. “Take a bashed babe home,” begins the chorus:
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