Broadway saw alive cartage over Thanksgiving, with aing to 253,000 assemblage awash into 34 playhouses. But the best awash basement was in the orra pits of the St. James, the Palace, the Neil Simon and the Vivian Beaumont.
Contrary to the downsizing trend that has apparent Rialto orras shrinking over the accomplished two decades, associates of Musicians Local 802 were arranged cheek-by-instrument-case in those theaters, arena revivals with original, all-encompassing orrations.
The now-departed “Gypsy” — a alteration from City Center’s Encores! alternation — started the array in bounce 2008, with 25 musicians arena the aboriginal charts.
Lincoln Center Theater’s “South Pacific” connected the trend, earning nightly ovations with 30 players. “West Side Story,” which angled in March, retained 29 musicians, while this fall’s revivals of “Finian’s Rainbow” (another Encores! transfer) and “Ragtime” (from the Kennedy Center) are employing 24 and 28, respectively.
That’s 111 abutment associates (plus conductors) in aloof four theaters, compared with about 258 advance about Broadway’s added 18 musicals.
But with best revivals opting for smaller-scale orras, and the better new agreeable of the accepted season, “The Addams Family,” accedence with a 17-member orra, it’s bright that economically, the added bashful accumulation makes sense.
Downsizing still engenders some key questions, though: Does the trend against beneath musicians acquire artistic consequences? And can composers
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