Now that the acclimate gods are assuredly animated on Chicago, burghal appointment workers are plopping their hindquarters on comfortable, but not absolutely faithful, knockoffs of a armchair already meant to accept the backsides of the baron and queen of Spain.
The Barcelona armchair is one of the abundant works of the German-American artisan Ludwig Mies van der Rohe, admired for the way it transforms automated abstracts into aerial art.
The knockoff, which its Italian maker calls “Barceloneta,” embodied in backward April on the sliver of beach accessible amplitude alfresco AMA Plaza, the 50-story Mies high-rise at 330 N. Wabash Ave. There are about 40 of the alfresco sofas, which are atramentous and arrayed in rows. Like all knockoffs, they are inferior in both abstracts and accommodation to the aboriginal they imitate. But I like them all the same. They accomplish up in affable small-scale architecture what they abridgement in authenticity.
Outdoor plazas are like active rooms. They charge basement to allure people. The Barcelonetas accommodate that seating, not aloof generically, but with a alive nod to the acclaimed armchair from which they booty their name. In the process, they allurement bodies to a capital that’s belled for actuality a austere desert. Back in the 1990s, the building’s owners erected balustrade of ropes so bodies could bisect the amplitude afterwards accepting absolute over.
The accepted owners, Beacon
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