Posted by John J. Moser at 11:33:14 AM on July 26, 2010
The dejection is a characteristic genre, but like all music these days, its curve accept been blurred for the better, as the 19th anniversary Pocono Dejection Anniversary showed this weekend.
Through 20 acts on three stages over its three days, the anniversary showed how ample the dejection abject has become. And no acts approved it bigger than Sunday’s two headliners.
The 75-minute set of 1980s hit-makers The Fabulous Thunderbirds’ dejected through 15 songs that went from acceptable dejection to R&B, the band’s signature dejection bedrock and a pop, but it kept the admirers – attenuated and acting from a mid-afternoon thunderstorm – affective and hollering along.
Kim Wilson of The Fabulous Thunderbirds
Photos by Doug Kilpatrick/Special to The Morning Call
Following them, Bedrock and Roll Hall of Famer and Grammy Lifetime Achievement Award-winner Mavis Staples chugged through a hardly best set that, except for the agitation advance guitar of Rick Holmstrom would accept been erect gospel.
But there’s a acumen the admirers accepted both: They adapted it.
The Fab T-Birds are neither as bound nor as alarming
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