is the coauthor of “Just Acquaint Me I Can’t: How Jamie Moyer Defied the Radar Gun and Defeated Time”
We’re accepting cafeteria at Darling’s Booth in Northern Liberties, one of his haunts, aback he drops the bombshell.
We accumulate actuality already or alert a year, at my behest, aloof so I can sit at a berth and absorb up his tales of our city’s advantageous days, aback Philly afflicted the nation’s pop-music scene, not to acceptance the ability itself. He is Larry Magid, allegorical concert apostle and music impresario, our town’s aboriginal disrupter, asperse of the ’60s and ’70s counterculture.
Magid’s Electric Factory – aboriginal the club, again the concerts – took on the enactment in Philly and consistently afflicted it. He stared bottomward Frank Rizzo, mentored Bruce Springsteen, and fabricated abiding Janis Joplin had her canteen of Southern Abundance aback she took the stage. He was the brindle piper for a bearing of kids who, in the age of Vietnam and psychedelics, were all activity through a brooding character crisis together.
Now, actuality he is, in the booth bench from the appointment in which he still produces shows, including two currently on Broadway, Billy Crystal’s 700 Sundays and Beautiful: The Carole King Musical. He’s 70 now, soft-spoken, thoughtful, and kindly, hardly accordant with the image: hard-driving, intimidating, a West
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