Hal Ketchum is appropriately semi-retired in the Austin, Texas, area, so his beat through New England this weekend is a attenuate amusement for admirers of his genre-crossing music. As his heyday aloft the country archive in the 1990s proved, Ketchum’s music is a amalgam with affluence of folk, bedrock and body elements appearance his music.
Ketchum is arena Saturday night at the Spire Center in city Plymouth. Ketchum’s abbreviate bout includes a stop at New Haven’s Cafe Nine tonight (Friday), and a appearance at The Iron Horse in Northampton on Sunday.
Ketchum is able-bodied accepted as allotment of the Texas agreeable firmament, but the irony is that he was built-in and grew up in the Greenwich, N.Y., area. His aboriginal forays into music came as the bagman in a accent and dejection band, Dean and the Oriental Cha Chas.
“My acquaintance Dean was the bassist, and all I can say is that we got through it,” Ketchum said, this week, from his Austin-area home. “I’ve consistently been absorbed in all kinds of music, annihilation that can aggrandize my mind.”
The best cogent accident in Ketchum’s aboriginal years was his move to Austin in 1981. By afresh he’d stepped abroad from assuming and had crafted a solid career as a chiffonier maker. But he still admired music, and he began acquaintance
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