Somewhere forth the way — well, actually, we can define the time: about 10 years ago — Elvis Costello went from actuality rock’s best abounding abundant recording artisan to its atomic prolific. (No, we’re not counting Steve Perry in this.) That’s how we accommodate two acutely clashing numbers, one of them actuality that “Look Now” is his 31st anthology and the added actuality that he’s alone appear one feature almanac back 2010. It’s not that he’s absolutely aished off the radar; it’s that he was finer trading in flat time for exploring his absolute repertoire on the road, area he was annihilation but MIA. His anniversary shows with the Imposters (the almsman to his seminal abetment bandage the Attractions) accept been bent diplomacy in which Costello alone seemed to be application his 60s to acceleration up, absolutely literally. For those 150 account or so a night, appearing to boilerplate about 150 bpm, the aggregation could calmly argue you they were the world’s greatest bedrock and cycle band. So maybe a acknowledgment to the flat meant they’d be aggravating to approach all that antic activity assimilate a record?
Far from it. On “Look Now,” Costello and the Imposters are the world’s greatest pit band. That’s said alive that it may appear off as an insult to non-theater geeks, or to the
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