Probably the best arresting affair about Laurie Spiegel is that a allotment of music she fabricated could be the aboriginal complete of beastly agent to be heard by exoteric lifeforms. If aliens exist, of course. And d they accept ears.
Spiegel’s computer adeptness of a agreement conceived ashamed in the aboriginal 17th Century by the German astronomer Johannes Kepler is the aperture cut on the Golden Record, a disc that accompanied both Voyager probes on their adventure above the solar arrangement and out into the abundant interstellar above in 1977. Additionally accepted as The Sounds of Earth, this gold-plated nut almanac (the accepting seems to accept been that any acculturation beat abundant to backbone a casual delving out of amplitude would additionally be able to body a turntable to ball it on) includes 90 account of music, greetings in abounding languages, beastly sounds, and the EEG brainwaves of a adolescent woman in love. But “Harmonices Mundi” (“Harmony of the World”), the Spiegel/Kepler piece, stands the best adventitious of actuality “understood” by the aliens, ashamed it is based on the absolutely accepted accent of mathematics. Based about the orbits of the planets, “Harmonices” was Kepler’s ache at creating the Pythagorean dream of “music of the spheres”: “the angelic music that alone God could hear,” as Spiegel puts it, talking via Skype from her home in New York.
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